My theory regarding audience participation-type game shows is that, while the producers want the audience to be rowdy and have a good time, people who show up to be members of said audience and/or participants are basically meat to be used to fill up the seats in the studio--happy, clapping meat.
Yesterday, the Sis and her family (Reverend Canary, Diva Canary, Sluggo--Diva's boyfriend--all visiting from PA) and myself went to a taping of The Price Is Right. We had e-tickets, which we found out were not as good as studio tickets--neither of which guarantees that you will get in. They overbook to ensure a full audience as well as a broad selection of possible contestants.
So, we all get there at 8 AM for the 4 O'clock taping. I won't go into detail, but three out of five of us were in nuclear pissy mode--largely because they didn't share the enthusiasm for going to a game show that my sister and I had.
About 900 people showed up for the 1 O'clock taping (there were 300 seats available--there were also around 900 people for the 4PM show). These folk were sorted by the pages, whose basic goal was to get the seats filled--not to be fair or compassionate. Each ticket holder would be assigned a priority number, which took a couple of hours--and these seemed to be assigned not in the order each person arrived, but depending on where each person was told to sit. For example, I ended up with a higher priority number than Pammy C, even though she had been seated in the row ahead of me because my page was quicker than her page.
If you asked a page a question--any question--you got "I'm sorry, there's nothing I can do about it." Some would go to the trouble of smiling, but most were brusk and dismissive.
It was funny to watch ticket-holders who would get into arguments with pages because they felt they had been treated unfairly or because they had a better idea of how to run things. Some pages were friendlier than others, but every time, the complainer would end up being told that they could always leave if they didn't like it. On more than one occasion, the page offered to call security to take a complainer away. So we figured out right away that, whether or not we got on the show would be helped by going to a page and complaining.
There was one lady who would not leave no matter how many times or how many ways she was told that she would not get a priority number because she did not have a ticket. She stayed up until we began filing into the studio and somehow managed to get into the taping.
The five of us got separated early in the process. Dave and I ended up in one row, while Pammmmmmmy C, Diva, and Sluggo ended up in another. Once you were seated, you sat--for a long time, until someone gave you a priority number. People got antsy and cranky and openly defiant while sitting--but nothing could be done about it. By around 10 AM, we were given priority numbers and told to come back at 1:30 to begin casting for the 4 PM show.
The five us strolled over to the Farmer's Market and moped around for awhile. Diva and Sluggo and I munched on savory crepes from the crepe booth--theirs were sweet, mine savory. Very tasty. I also got a fruit salad at a fruit stand which, although skimpy on the mango and papaya, was pretty good. They don't have fruit in PA, so Diva and Sluggo were amazed and delighted.
We than strolled in the midday heat to the new shopping mall across from the studio. Mind you, it was Tuesday, not a big shopping day. All around the mall were people we had seen at the studio, who were given priority numbers and told to come back. Huge groups of them, many wearing identical outfits so as to identify themselves as a group on camera, wandered around shopping, dining, strategize....
Rev C and theorized that, with the economy being bad it being a Tuesday, one reason the show was so overbooked was because even the people who left the studio angry and frustrated would probably stop at the mall and look around and probably even buy stuff. It was good for the local economy for them to overbook.
Anyway, we got back to the studio at 1:30 and they had already started the selection process. The Rev C realized that Pammmmmmmy C wanted to be on the show more than he did, so he traded his spot to her. Pammmmmmmmy C and I got on and the Rev, Diva, and Sluggo left us in our glory to go play in LA.
Pammmmmmmy C and probably sat there for another couple of hours as the standby's got moved in groups from bench to bench-each bench putting them closer to the studio.
Pages walked around taking pictures of everybody, checking our ID's and had us all fill out cards with our personal info. This was interspersed with long bouts of waiting, which, again, got people cranky.
My sister diagnosed a guy in line as having Assburger's, a condition in the autism family. He was alone, and you could see that the process was setting him off. He would lecture people about the television business and pace around into the comfort zones of others. From time to time, he did did this wiggly thing with his fingers that looked like he was casting a spell on his own head. Pammmmmmy C works with autistic kids and knows a lot about the habits and behaviors.
The final step of selection was the interview. We had heard all day about the interview. The interview would give the producers ideas about who they wanted as contestants. We had wondered how they could interview 300 people without keeping us there all night.
This was the interview. They lined us up in tens and stood us in front of a peppy guy who would go down the line and ask each person what they did for a living and then make a joke to see how that person reacted. Behind the peppy guy, this woman sat and made notes on a pad. From her notes, the contestants were selected. Each interview lasted 10 seconds. Maybe 20.
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