Saturday, February 17, 2007

Piano

We are trying to get Mama C's house empty so we can either rent it or sell it, thus increasing her income for the years ahead, as her need for care increases.

Part of the process has been for her to give each of us items that should stay in the family for one reason or another. My sister got some china. My brother got Papa C's old tool chest--an old wooden chest--not a Sears and Roebuck tool chest filled with Craftsmen tools. Dad was a machinist and these are specialized tools that none of us could ever use. But it's a part of him. The first time I opened it after Papa C died, I was surprised to find three pictures fixed inside: one of Mama C, one of Pamela C, and one of his pal Clarence Matthews.

Clarence is a story unto himself--he has reached legendary status in our family and I would need my Papa C here to embellish the stories with dialog and other details.

But, I digress.

I got the piano. Mama C's upright piano. Right now, it sits in my living room near the sliding glass door, but well out of the way of incoming sun. Atop center sits old clock that, the last time I heard, sounded the time increasingly out of tune with each passing hour. Next to that, I have a framed photo of Mama and Papa dashing out of the church on their wedding day, their faces alight with smiles and youthful energy. To the left of the clock is my Oscar Schmidt uke and the last portrait of Papa C taken by Mama C's cousin Jimmy Rose.

There is another picture I am tempted to dig out and put on it--one of a young Mama C as a teenager sitting at the same piano in her parents home. The same clock is there--as is a bust of Beethoven. This is from her days as a young singer of local notoriety. The piano still looks new, as does she.

The piano I have still has a fine tone. But it looks a little worse for the wear. Along its once-perfect smile of a keyboard, one key sits broken like a missing tooth. The tapestry that once protected the insides from dust is torn (I don't know what this is called, but it is tacked behind the carved face board of the piano and was once made of beautiful fabric. I've googled for images that might show you what this looks like, but can't find any).

I made many of those tears as a small child. I imagine I found and imperfection and began exploring it. In spite of Mama C's pleas to leave it alone, I still explored the tears when I found myself alone with the piano. Why? The same reason I drew on the newly painted walls of my bedroom or ate the paper wrapping from the cupcakes Mama C bought from the Helms Bakery truck.

So, while I don't play the piano, it is a part of my history.

While most of the memories of Mama C accompanying herself on piano blend together into one, two stand out for me. The first comes from my childhood, when Billy C was a tween and I was probably in 5th grade. I think Papa C and Billy C were arguing over something--hair, friends, whatever. 'Midst the din, Mama C inexplicably started playing loudly and singing a song hymn and when she got to the refrain, got up and patting Papa C's chest, sang loudly "Bless this house firm and stout!" Or something like that.

The other was right after Papa C died. She was sitting alone in the living room (I was in the den), playing a song they had heard when they went through Marriage Encounter together.

1 comment:

Anonymous said...

Ahhh Bro, that's nice.

Pamela C